Artists' Publications: TEXT, SOUND AND IMAGE

Artists' books and artists' publications / Künstlerbücher und andere Künstlerpublikationen

ARCHIVES BY FEMALE ARTISTS IN THE SPACE OF A BOOK AND SOME ELEPHANTS IN THE ROOM

Two lectures in the frame of the project 'Thinking about the Material in a Modest Artists' Book', Université Lumière Lyon 2 (as part of the 36ème Congrès du Comitè Intèrnational d'Histoirè dè l'Art) / Jagiellonian University Kraków. 25.07.2024 / 08.11.2024

 


Front row:Jan Wenzel, Markus Dreßen, Anne König, Christopher Dell, behind: Burkhard Jung, Florian Ebner, Maike Aden.
Front row:Jan Wenzel, Markus Dreßen, Anne König, Christopher Dell, behind: Burkhard Jung, Florian Ebner, Maike Aden.

SPECTOR BOOKS: BÜCHER, BEI DENEN DIE UNTERSCHEIDUNG ZWISCHEN KÜNSTLERBUCH ODER NICHT OBSOLET GEWORDEN IST 

Laudatio with Florian Ebner anlässlich der Verleihung des Gutenberg Preises der Stadt Leipzig an den Leipziger Verlag Spector Books. 21 June 2023


 

ARTISTS’ BOOK PRICE: PRIX BOB CALLE DU LIVRE D'ARTISTE 2023

My selection as member of the panel of experts for the Prix Bob Calle 

Sebastian Utzni: M-Maybe, Edition Taube 2019

Frauke Boggasch: Aps., self-published 2022

Marleine Chedraoui: Tempus [Text], self-published 2021 & 2022 

Christoph Benjamin Schulz and collaborating artists: Paper-Poem-Objects, Grass Publishers 2022

 


 

MAIKE ADEN

Interview by Alex Chevallier. In: Point Contemporane #24, 18.5.2022 http://pointcontemporain.com/entretien-sur-ledition-maike-aden/

Since many years Maike Aden has been presenting, investigating and teaching on all forms of published works of art which include printed matter by artists as well as sound works, videos, films and multiples. In this comprehensive interview, she talks about her career and her views on the past and present of artists' publications.

 


 

Andreas Bülhoff – Voxel Poems © STILL
Andreas Bülhoff – Voxel Poems © STILL

 

AVANTGARDE ON DEMAND. ARTSTS' BOOKS BETWEEN TOTALKUNST AND DOWNLOAD

Panel with Timm Ulrichs and Katharina Neuburger in the frame

of the symposium Judge a Book by its Cover. Artists’ Books in the Digital Age, 27-29 January 2022.  

 


 

THE ARCHIVE FOR SMALL PRESS & COMMUNICATION (A.S.P.C.). CONTEXT, CONCEPT, CONNECTIONS, CRITIQUE 

Lecture in the frame of the online-seminar "Collecting, Connecting, Archiving. The 'Active Archive' as Transcultural Alternative During the Cold War". Organised by Henar Rivière in collaboration with Archivo Lafuente (Santander, Spain) and Artpool - Art Research Center (Budapest), Universidad Complutense (Madrid, Spain). 

29 - 30 November 2021

 

Online:

Day I: Transnational Networks, Moderation: Zsuzsa László and Henar Rivière 

 

Day II: Active Archives between Mail Art and Book Works. Moderation:  Emese Kürti and Katarzyna Cytlak


 

GAINING SCOPE FOR ACTION. MARIE-SOPHIE BEINKE'S POSTAL EDITIONS

Opening lecture at De Slegte, Antwerpen

26 November 2021

Exhibition View
Exhibition View

"...Marie-Sophie Beinke cannot and does not want to revive the historical Mail art movement. Her initiative to physically connect with people, places, ideas and works through art via the postal service is rather intended to create scope for action for the individual of the techno-digital disciplinary society (...). What started out as an antidote to the compulsion to transfer art and communication into the digital space quickly proved to be a self-empowering culture of communication against Ulises Carrión's 'Big Monster' of today,  that has grown into a giant of immeasurable proportions..." 

 


DAS ARCHIV IM RAUM DES KÜNSTLERBUCHS ALS STRATEGIE DER SELBSTERMÄCHTIGUNG

In: Kultur und Gespenster Nr. 21, Textem Verlag

Mai 2021

Die Ausgabe handelt von Ideen wie Archive und Depots und Lager und Halden und Haufen und Bunker und Verliese und Kammern aussehen können. 351 Seiten voller erhellender, erheiternder, verstörender, zorniger, guter Artikel.

 


 

ARTISTS’ BOOK PRICE: PRIX BOB CALLE DU LIVRE D'ARTISTE

My selection as member of the panel of experts for the Prix Bob Calle 

Amber. A Visual Anthology of the Contradictory Representation of the Female Body in the Electrical Age by Nina Canell & Robin Watkins
Collection for the Poor Collector by Thomas Geiger
Theory by Gloria Glitzer
Withdrawing A Ledge, Din by Sergej Vutuc.

 


 

GAME, SET, MATCH.  THREE CONCEPTS OF THE ARTISTS' BOOK

Curating of the exhibition at the Museum Serralves, Porto, Portugal

28 June - 20 October 2019 

GAME, SET, MATCH, Museum Serralves 2019, Curator Maike Aden
Sol LeWitt: Lignes en quatre directions et toutes leurs combinaisons, Bordeaux, Capc Musée d’art contemporain, 1983, detail
About...

 

 

NOLI ME TANGERE. ÜBER DIE ABWESENHEIT ANWESENDER KÜNSTLERBÜCHER IN AUSSTELLUNGEN (ABOUT THE ABSENCE OF PRESENT ARTISTS' BOOKS IN EXHIBITIONS)

Contribution in: Dora, C., Fabian, C. et al. (eds.) (2019), Bibliothek und Wissenschaft, Wiesbaden: Harrassowitz Verlag, 52, pp. 119-133. 

Open access: ART-Dok. Repositorium für Kunst- und Bildwissenschaften, Mai 2017 

Künstlerbücher ausstellen / Exhibiting Artists' Books. Essay von/by Maike Aden

Most books are everything else but glamorous status symbols. For this reason artists' books will never enter into the prestigious and highly capitalized art scenes. But just this unsuitability as an exclusive collector's trophy is responsible for its reputation as subversive, critical and resisting genre or art. Even if these attributions are imprecise constructions, they have created a considerable boom - at least among those who wish an alternative to the traditional art world with its super rich actors and power structures. But to provide a more differentiated view on the varied phenomena and concepts of artists' books is challenging. In an exhibition, these works remain absent in a way. Only when you feel, touch, smell, and flip through them, they come to life. But...

Auf Deutsch...

 

VINYL & CLIPS. SOUND COLLECTION GUY SCHRAENEN AND CLIPS BY ARTISTS

Curating of the exhibition at the Frac Franche-Comté, Besançon, France

19 May 2019 - 22 September 2019

VINYL & CLIPS. SOUND COLLECTION GUY SCHRAENEN AND CLIPS BY ARTISTS,
Cover by Roy Lichtenstein (detail): I Cry for You, Bobby 'O, 1983
About...

Reviews: Le Monde /// Les Inrockuptibles ///  Trax Magazine

 


Künstlerbücher ausstellen, Vortrag von Maike Aden

UN-MÖGLICHKEITEN DES AUSSTELLENS VON KÜNSTLERBÜCHERN (IM-POSSIBILITIES OF EXHIBITING ARTISTS' BOOKS)

Lecture at the symposium "Bitte umblättern! Künstlerbücher im Einsatz",

Hamburger Kunsthalle, 21.-22.11.2016 


ULISES CARRIÓN CARRIES ON

 

Lecture at the symposium "It’s a Book", Hochschule für Grafik und Buchkunst Leipzig, 25.3.2017

 

Published in: Markus Dreßen, Albrecht Gäbel et al. (Ed.): It's a book, it's a fair, it's a room built to share, HGB Leipzig 2017

 


 

THE ARTISTS' PUBLICATIONS KEYWORD DIRECTORY

Research project together with Guy Schraenen on behalf of the Library and Documentation Centre of the Museo Reina Sofia, Madrid, 

Aug. 2014 - Dec. 2017

How to retrieve an artists' book in the future when it’s stored in one of the hundreds acid-free boxes in one of these cabinets?
How to retrieve an artists' book in the future when it’s stored in one of the hundreds acid-free boxes in one of these cabinets?
About...
The Artists' Book Keyword Directory, Conference by Guy Schraenen and Maike Aden
Library Museo Reina Sofía

THE ARTISTS' PUBLICATION KEYWORD DIRECTORY

Presentation lecture together with Guy Schraenen

at the annual conference of Museum Libraries, Museo Reina Sofia Madrid, 23/24.11.2017

Conference program: IV Jornadas sobre Bibliotecas de Museos


Artists' Books by Bernard Villlers. Essay by Maike Aden
Bernard Villers: Figure, Paysage, Marine, Édition du remorqueur, Brussels 1988

BERNARD VILLERS. ENSEMBLE OF ARTISTS’ BOOKS IN THE MUSEUM REINA SOFIA MADRID

Essay in: Blohm, M. (ed.) (2015) Fabricio Ideas. Hide&Seek #10

Online (EN & DE)  


 

COLLECTED WRITINGS GUY SCHRAENEN. ESSAYS, STATEMENTS, INTERVIEWS 1974-2013 

DVD edited by Bettina Brach with the collaboration of Maike Aden. Bremen: Centre for Artists' Publications 2013   

The publication of Guy Schraenen’s “Collected Writings” give access to all the texts he has published over four decades, from the 1970s up until the very recent past. They document his abiding interest in the history and the significance of the international networks underlying artists’ publications and initiatives in the 1960s and 1970s. He reflects upon the socio-political and cultural strategies of the artist-initiated art scene, which remained independent of the official art establishment.

The writings are presented in the form of facsimiles of the original publications. Most texts are in English, some in French, several also in other languages.

The Collected Writings are available in two versions: 

- a digitalized version on DVD
- a print version in 2 folders

Order: Centre for Artists' Publications Bremen, Germany

 


 

 

A CENTURY OF ARTISTS' BOOKS

Seminars and workshops on artists' books / artists' publications at various European venues

Seminars on Artists' Books / Seminare über Künstlerbücher von/by Maike Aden

The current enthusiasm for artists' books shall be an occasion to give an insight into the diverse phenomena and concepts of "a century of artists' books". The access to a most wide variety of artists' books within the collection is an ideal way of linking the theoretical discourse with a practical perspective to illustrate how these publications functioned in particular during the 1960s and 70S as art works which aimed to revolutionise the official art world by means of independent production and dissemination of affordable art works.

Selection of seminars and workshops...

"Sound Art Project" and exhibition on "Vinyl. Records and Covers by Artists"

VINYL. RECORDS AND COVERS BY ARTISTS

Exhibition and project assistant at the Centre for Artists' Publications Bremen / Museum Weserburg Bremen in collaboration with the Museu d’Art Contemporani de Barcelona (MACBA), 21 Aug.-27 Nov. 2005

 

More about the projects...

 

 

VARIOUS EXHIBITIONS ON ARTISTS' PUBLICATIONS

Exhibition assistant at the Centre for Artists' Publications Bremen, 2005/2006 

Exhibitions in the Centre for Artists' Publications Bremen

The Centre for Artists' Publications Bremen, the largest and most outstanding collection of published artworks in Europe, covers the areas collection and research, as well as exhibitions. Several exhibitions a year aim to present the different aspects of the evolution and dissemination of artists’ publications and to illustrate the diversity of this genre. The exhibitions cover insight into the archives, funds and collections of the Centre, country-specific surveys, comprehensive solo exhibitions, as well as thematic group exhibitions to all fields of published and multiplied art international. 

 


Main research fields by Maike Aden
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