ARCHIVES BY FEMALE ARTISTS IN THE SPACE OF A BOOK AND SOME ELEPHANTS IN THE ROOM
Two lectures in the frame of the project 'Thinking about the Material in a Modest Artists' Book', Université Lumière Lyon 2 (as part of the 36ème Congrès du Comitè Intèrnational d'Histoirè dè l'Art) / Jagiellonian University Kraków. 25.07.2024 / 08.11.2024
SPECTOR BOOKS: BÜCHER, BEI DENEN DIE UNTERSCHEIDUNG ZWISCHEN KÜNSTLERBUCH ODER NICHT OBSOLET GEWORDEN IST
Laudatio with Florian Ebner anlässlich der Verleihung des Gutenberg Preises der Stadt Leipzig an den Leipziger Verlag Spector Books. 21 June 2023
ARTISTS’ BOOK PRICE: PRIX BOB CALLE DU LIVRE D'ARTISTE 2023
My selection as member of the panel of experts for the Prix Bob Calle
Sebastian Utzni: M-Maybe, Edition Taube 2019
Frauke Boggasch: Aps., self-published 2022
Marleine Chedraoui: Tempus [Text], self-published 2021 & 2022
Christoph Benjamin Schulz and collaborating artists: Paper-Poem-Objects, Grass Publishers 2022
MAIKE ADEN
Interview by Alex Chevallier. In: Point Contemporane #24, 18.5.2022 http://pointcontemporain.com/entretien-sur-ledition-maike-aden/
Since many years Maike Aden has been presenting, investigating and teaching on all forms of published works of art which include printed matter by artists as well as sound works, videos, films and multiples. In this comprehensive interview, she talks about her career and her views on the past and present of artists' publications.
AVANTGARDE ON DEMAND. ARTSTS' BOOKS BETWEEN TOTALKUNST AND DOWNLOAD
Panel with Timm Ulrichs and Katharina Neuburger in the frame
of the symposium Judge a Book by its Cover. Artists’ Books in the Digital Age, 27-29 January 2022.
THE ARCHIVE FOR SMALL PRESS & COMMUNICATION (A.S.P.C.). CONTEXT, CONCEPT, CONNECTIONS, CRITIQUE
Lecture in the frame of the online-seminar "Collecting, Connecting, Archiving. The 'Active Archive' as Transcultural Alternative During the Cold War". Organised by Henar Rivière in collaboration with Archivo Lafuente (Santander, Spain) and Artpool - Art Research Center (Budapest), Universidad Complutense (Madrid, Spain).
29 - 30 November 2021
Online:
Day I: Transnational Networks, Moderation: Zsuzsa László and Henar Rivière
Day II: Active Archives between Mail Art and Book Works. Moderation: Emese Kürti and Katarzyna Cytlak
GAINING SCOPE FOR ACTION. MARIE-SOPHIE BEINKE'S POSTAL EDITIONS
Opening lecture at De Slegte, Antwerpen
26 November 2021
"...Marie-Sophie Beinke cannot and does not want to revive the historical Mail art movement. Her initiative to physically connect with people, places, ideas and works through art via the postal service is rather intended to create scope for action for the individual of the techno-digital disciplinary society (...). What started out as an antidote to the compulsion to transfer art and communication into the digital space quickly proved to be a self-empowering culture of communication against Ulises Carrión's 'Big Monster' of today, that has grown into a giant of immeasurable proportions..."
DAS ARCHIV IM RAUM DES KÜNSTLERBUCHS ALS STRATEGIE DER SELBSTERMÄCHTIGUNG
In: Kultur und Gespenster Nr. 21, Textem Verlag
Mai 2021
Die Ausgabe handelt von Ideen wie Archive und Depots und Lager und Halden und Haufen und Bunker und Verliese und Kammern aussehen können. 351 Seiten voller erhellender, erheiternder, verstörender, zorniger, guter Artikel.
ARTISTS’ BOOK PRICE: PRIX BOB CALLE DU LIVRE D'ARTISTE
My selection as member of the panel of experts for the Prix Bob Calle
Amber. A Visual Anthology of the Contradictory Representation of the Female Body in the Electrical Age by Nina Canell & Robin Watkins
Collection for the Poor Collector by Thomas Geiger
Theory by Gloria Glitzer
Withdrawing A Ledge, Din by Sergej Vutuc.
GAME, SET, MATCH. THREE CONCEPTS OF THE ARTISTS' BOOK
Curating of the exhibition at the Museum Serralves, Porto, Portugal
28 June - 20 October 2019
About... | ||
The collection of artists’ books of the Serralves Museum, curated by Guy Schraenen until his death in 2018, is one of the leading collections in Europe. Represented are all types and tendencies of this art genre, which emerged in the late 1950s when artists invented the concept of the ‘artist’s book’, a new and revolutionary way of dealing with the space of the book and with the diffusion of ideas and works. On the occasion of its twentieth anniversary, the three-chapter exhibition Game, Set, Match will present major publications by visual artists of all horizons. It will highlight three main investigative fields within the universe of artists’ books: while chapter one deals with the tautological notion of the artist’s book as book, chapter two reflects on the book as an artwork in its own right, equivalent to a painting or a sculpture; chapter three focuses on works that exist at the interface between book and object. Altogether, the presented works are examples of how artists metamorphose the ordinary aspects of the book. Rather than destroying its ideas, they give new life and perspectives to it.On occasion the opening, Ricardo Nicola, curator of the Museum Serralves, hosted a conversation between João Fernandes, deputy director of the Museum Reina Sofía Madrid and Maike Aden, curator of the exhibition. |
Review: studio international
NOLI ME TANGERE. ÜBER DIE ABWESENHEIT ANWESENDER KÜNSTLERBÜCHER IN AUSSTELLUNGEN (ABOUT THE ABSENCE OF PRESENT ARTISTS' BOOKS IN EXHIBITIONS)
Contribution in: Dora, C., Fabian, C. et al. (eds.) (2019), Bibliothek und Wissenschaft, Wiesbaden: Harrassowitz Verlag, 52, pp. 119-133.
Open access: ART-Dok. Repositorium für Kunst- und Bildwissenschaften, Mai 2017
Most books are everything else but glamorous status symbols. For this reason artists' books will never enter into the prestigious and highly capitalized art scenes. But just this unsuitability as an exclusive collector's trophy is responsible for its reputation as subversive, critical and resisting genre or art. Even if these attributions are imprecise constructions, they have created a considerable boom - at least among those who wish an alternative to the traditional art world with its super rich actors and power structures. But to provide a more differentiated view on the varied phenomena and concepts of artists' books is challenging. In an exhibition, these works remain absent in a way. Only when you feel, touch, smell, and flip through them, they come to life. But...
Auf Deutsch... | ||
Künstlerbücher werden nie zu den glamourösen Statussymbolen der prestige- und kapitalträchtigen Kunstszenen gehören. Ihre Untauglichkeit als exklusive Sammlertrophäe ist es, die ihnen den Status eines Kunstphänomens mit subversivem, widerständigem Touch eingebracht haben. So missverständlich, unscharf und vielleicht auch bequem diese Zuschreibung auch ist, eines hat sie zumindest bewirkt: sie hat dem Künstlerbuch - zumindest unter jenen Kunstakteuren, die sich eine Alternative zur herkömmlichen Kunstwelt der Superreichen und -mächtigen wünschen - eine beträchtliche Konjunktur beschert. So erfreulich es auch ist, dass diese vom Kunstbetrieb lange vernachlässigte Gattung endlich eine gewisse Aufmerksamkeit erfährt, um so herausfordernder ist es allerdings, die vielfältigen Phänomene und Konzepte des Künstlerbuchs sachgerecht in Ausstellungen zu vermitteln. Denn das Buch an sich hat keinen musealen Ausstellungswert. Wird es allein als zu besichtigendes Objekt dargeboten, bleibt es abwesend. Erst wenn man es betastet, aufschlägt und darin blättert kann es lebendig werden. |
VINYL & CLIPS. SOUND COLLECTION GUY SCHRAENEN AND CLIPS BY ARTISTS
Curating of the exhibition at the Frac Franche-Comté, Besançon, France
19 May 2019 - 22 September 2019
About... | ||
The exhibition brings together hundreds of vinyl records, covers, objects and graphic works, created by visual artists as well as by poets and some musicians. The works belong to the internationally most important and most comprehensive collection on Sound Art, the Sound Collection Guy Schraenen, which is part of his Archive for Small Press & Communication, now held by the Centre for Artists’ Publications at the Museum Weserburg Bremen, Germany. The show is divided into various sections that range from the avant-garde movements of the beginning of the 20th century such as Dadaism and Futurism, to sound experiments after 1945 by the Lettrists, Sound Poets, Beat Generation, Fluxus, Zaj, Conceptual Art. Presented are also groups of records by artists such as Jean Dubuffet, Dieter Roth, Joseph Beuys, John Giorno, William Burroughs, Roman Opalka, Hermann Nitsch, Hanne Darboven, Allen Ginsberg, Laurie Anderson, as well as singular works by Yves Klein, Tom Wesselmann or Karel Appel. The relationship between visual arts and rock and pop music is highlighted with the records of the Rolling Stones, Velvet Underground or the Beatles, but also more recent groups such as Kraftwerk, Black Flag or Sonic Youth; artists such as Andy Warhol, Robert Franck, Peter Blake or Raymond Pettibon have transformed them into icons. A listening table, specially designed for this exhibition, allows visitors to access sound samples by almost all works of the collection. Furthermore is presented a selection of music clips by artists. Chosen are works by visual artists who have found a freedom of creation in this short format which allows them to mix provocations, humour or diversions while echoing our time. In a specially arranged movie space, the public can also watch the documentary Vinylmania which leads through the fascinating facets of the vinyl record. Enthusiastic collectors, DJs, musicians and artists all over the world can be met. Guy Schraenen speaks about his passion for records and covers by artists.
Link to the collection: Sound Collection Guy Schraenen including artist biographies, a glossary and hundreds of sound samples |
Reviews: Le Monde /// Les Inrockuptibles /// Trax Magazine
UN-MÖGLICHKEITEN DES AUSSTELLENS VON KÜNSTLERBÜCHERN (IM-POSSIBILITIES OF EXHIBITING ARTISTS' BOOKS)
Lecture at the symposium "Bitte umblättern! Künstlerbücher im Einsatz",
Hamburger Kunsthalle, 21.-22.11.2016
ULISES CARRIÓN CARRIES ON
Lecture at the symposium "It’s a Book", Hochschule für Grafik und Buchkunst Leipzig, 25.3.2017
Published in: Markus Dreßen, Albrecht Gäbel et al. (Ed.): It's a book, it's a fair, it's a room built to share, HGB Leipzig 2017
THE ARTISTS' PUBLICATIONS KEYWORD DIRECTORY
Research project together with Guy Schraenen on behalf of the Library and Documentation Centre of the Museo Reina Sofia, Madrid,
Aug. 2014 - Dec. 2017
About... | ||
Artists’ books and all kind of artists’ publications are an increasing collection field of museum collections, museum libraries, documentation centres, archives, collections. The unique and unconventional features of these published works of art pose major challenges regarding their classification, recording, placement, and relocation. Until today, the usual database systems are not satisfactorily adapted to this genre of art. The Artists' Publication Keyword Directory provides. Based on the professional expertise of decade-long collecting and curating, the Artists' Publication Keyword Directory provides unambiguous, consistent and comprehensive cataloguing standards that are especially applied for the diversity and complexity of artists’ publications. The question in the foreground is the user who needs an effective search tool in hands for the retrieval of a work. To meet this objective, the directory is conceived as a glossary which provides both the definitions of the technical vocabulary and a concrete system for cataloguers to classify and record artists’ publications in their specific aspects as precise and straightforward possible. Its system of non-hierarchical groups of a standardized vocabulary provides a practical guideline to set up an online database which ensures, above all, access to the treasures of this genre of art which would otherwise stay undiscovered in well-protecting, acid free boxes on extensive shelves in filing cabinets of carefully tempered and ventilated archive cellars and library stacks. Initiator of the project: Guy Schraenen Scientific development and elaboration: Maike Aden |
THE ARTISTS' PUBLICATION KEYWORD DIRECTORY
Presentation lecture together with Guy Schraenen
at the annual conference of Museum Libraries, Museo Reina Sofia Madrid, 23/24.11.2017
BERNARD VILLERS. ENSEMBLE OF ARTISTS’ BOOKS IN THE MUSEUM REINA SOFIA MADRID
Essay in: Blohm, M. (ed.) (2015) Fabricio Ideas. Hide&Seek #10
COLLECTED WRITINGS GUY SCHRAENEN. ESSAYS, STATEMENTS, INTERVIEWS 1974-2013
DVD edited by Bettina Brach with the collaboration of Maike Aden. Bremen: Centre for Artists' Publications 2013
The publication of Guy Schraenen’s “Collected Writings” give access to all the texts he has published over four decades, from the 1970s up until the very recent past. They document his abiding interest in the history and the significance of the international networks underlying artists’ publications and initiatives in the 1960s and 1970s. He reflects upon the socio-political and cultural strategies of the artist-initiated art scene, which remained independent of the official art establishment.
The writings are presented in the form of facsimiles of the original publications. Most texts are in English, some in French, several also in other languages.
The Collected Writings are available in two versions:
- a digitalized version on DVD
- a print version in 2 folders
Order: Centre for Artists' Publications Bremen, Germany
A CENTURY OF ARTISTS' BOOKS
Seminars and workshops on artists' books / artists' publications at various European venues
The current enthusiasm for artists' books shall be an occasion to give an insight into the diverse phenomena and concepts of "a century of artists' books". The access to a most wide variety of artists' books within the collection is an ideal way of linking the theoretical discourse with a practical perspective to illustrate how these publications functioned in particular during the 1960s and 70S as art works which aimed to revolutionise the official art world by means of independent production and dissemination of affordable art works.
Selection of seminars and workshops... | ||
ARTISTS' BOOKS OF THE INTERNATIONAL POST-1960s AVANT GARDE Universität Osnabrück in Kooperation mit dem A.S.P.C. im Zentrum für Künstlerpublikationen Bremen, Sommersemester 2015 BOOK AS ARTWORK Zentralinstitut für Kunstgeschichte München, 09.10.2014 ARTISTS' BOOKS WITHIN THE COLLECTION OF THE MUSEUM SERRALVES IN PORTO Faculty of Fine Arts at the University of Porto in cooperation with the Museum Serralves Porto, Summer semester 2014 ARTISTS' BOOKS IN PRIVATE AND PUBLIC COLLECTIONS Institut für Kunst und Kunsttheorie der Universität Köln in Kooperation mit dem Künstlerbuchsammler Walther König und der Sammlung Buchkunst in der Kunst- und Museumsbibliothek Köln, Sommersemester 2013 |
VINYL. RECORDS AND COVERS BY ARTISTS
Exhibition and project assistant at the Centre for Artists' Publications Bremen / Museum Weserburg Bremen in collaboration with the Museu d’Art Contemporani de Barcelona (MACBA), 21 Aug.-27 Nov. 2005
More about the projects... | ||
The exhaustive survey Vinyl. Records and Covers by Artists presents sound and art works by visual artists as well as by musicians and poets of the twentieth century. The exhibition provides all kinds of formats and media, located at the interface between visual and audible components. It represents the visual and sonant facets of artists' records and other froms of supports from the early avant-garde movements such as Futurism , Constructivism and Dadaism on, the new deveopments by the Lettrists and the Sound Poets until the manifold experiemnts during the main phase of Sound art in the sixties uand seventies all the way to today’s trends. A selection of 300 avant-garde records can be listened to on the sound station in the exhibition. The accompanying programme of the extensive Sound Art Project, organized on occasion of this exhibition, presents the cross-border activities in the area of art, music, literature and film since the 1960s. It consists of: • 14 Sound art concerts of artists including (a.o.) Dmitri Prigov, Sven-Ake Johansson, Sten Hansen, Carsten Nicolai • An international conference : "Sound Art Between Avant-garde and Pop Culture" (30 Sept.–2 Oct. 2005) • A Sound Art Cinema Week (2–6 Nov. 2005) • An international Sound art fair with publishers and antiquarians, specialised in Sound art (30 Sept.–2 Oct. 2005) |
VARIOUS EXHIBITIONS ON ARTISTS' PUBLICATIONS
Exhibition assistant at the Centre for Artists' Publications Bremen, 2005/2006
The Centre for Artists' Publications Bremen, the largest and most outstanding collection of published artworks in Europe, covers the areas collection and research, as well as exhibitions. Several exhibitions a year aim to present the different aspects of the evolution and dissemination of artists’ publications and to illustrate the diversity of this genre. The exhibitions cover insight into the archives, funds and collections of the Centre, country-specific surveys, comprehensive solo exhibitions, as well as thematic group exhibitions to all fields of published and multiplied art international.